Thomas Dolby Net Worth (Updated 2024)

What is Thomas Dolby’s Net Worth?

Thomas Dolby, the English musician and producer, is worth $10 million. He became famous in the 1980s with hits like “She Blinded Me with Science” and “Hyperactive!” He also worked as a producer and session musician.

In the 1990s, Dolby founded Beatnik, a Silicon Valley software company known for internet audio and ringtones, including the iconic Nokia tune. He was also the music director for TED Conferences.

Since 2014, Dolby has been a faculty member at the Peabody Institute at Johns Hopkins University. He heads the Music for New Media program, which welcomed its first students in 2018.

Here’s the breakdown of his net worth:

Name:

Thomas Dolby

Net Worth:

$10 Million

Date of Birth:

Oct 14, 1958

Salary:

$1 Million Per Year

Source of Wealth:

Singer, Musician, Record producer, Entrepreneur, Actor, Film Score Composer, Film director

If you’re curious about how we estimate a celebrity’s net worth, you can check out our methodology here.

Thomas Dolby Net Worth

Learn more: richest singers in the world

Early Life

Thomas Dolby, originally named Thomas Morgan Robertson, was born in London, England. His dad, Martin Robertson, was a respected professor of classical Greek art and archaeology. Thomas attended Abingdon School in Oxfordshire, England, and finished his A Levels in 1976. He had different jobs, including working at a fruit and veggie shop.

As a kid, Dolby sang in a choir and taught himself guitar and piano. He drew inspiration from jazz legends like Oscar Peterson and Thelonious Monk. In the mid-70s, he dove into electronic music by getting a DIY synthesizer kit, a game-changer in his musical career.

Solo Music Career

The Golden Age of Wireless (1982)

Thomas Dolby is a key figure in the new wave music scene of the early 1980s, famous for blending pop music with electronic instruments. His first solo album, “The Golden Age of Wireless,” initially didn’t have the hit song “She Blinded Me with Science.”

It was added in a later reissue, following the release of the EP “Blinded by Science.” This addition turned the album into a hit, reaching No. 5 on the Billboard Hot 100. The album covers various themes, including radio technology, aircraft, submarines, and personal and nostalgic topics.

Dolby’s Cube (1983-1986)

In 1983, Thomas Dolby started a studio project called Dolby’s Cube, where he teamed up with different artists to create dance-oriented music. They put out singles such as “Get Out of My Mix” (1983) and “May the Cube Be with You” (1985). In addition, they played a part in the soundtrack of the 1986 film “Howard the Duck.”

The Flat Earth (1984)

In 1984, Thomas Dolby released his second album, “The Flat Earth.” It highlighted his wide-ranging musical influences, such as jazz, Motown R&B, and world music, mixed with electronic elements. The album, featuring guest musicians, included the popular single “Hyperactive!,” reaching No. 17 on the UK Singles Chart.

Aliens Ate My Buick (1988)

Dolby’s next release, “Aliens Ate My Buick” (1988), took a funk and dance-inspired turn. The album featured satirical tracks like “Airhead” and “Hot Sauce,” along with the George Clinton song “My Brain Is Like A Sieve.”

Astronauts and Heretics

With “Astronauts & Heretics,” Dolby expanded his musical styles, collaborating with artists like Bob Weir and Jerry Garcia. The album featured diverse influences and musicians, including Eddie Van Halen, Jimmy Z, and more.

The Sole Inhabitant (2006)

After a hiatus, Dolby returned to music in 2006, performing his first solo show in 15 years and embarking on the “Sole Inhabitant Tour.” He released a live CD and DVD capturing the U.S. leg of the tour.

2009 Reissues

In 2009, EMI released “The Singular Thomas Dolby,” a digitally remastered compilation of his singles. Additionally, “The Golden Age of Wireless” and “The Flat Earth” were reissued with bonus tracks.

A Map of the Floating City (2010)

Dolby began working on a new studio album, “A Map of the Floating City,” divided into three parts. The first two parts were initially released to his online community. Notable contributors to the album included Mark Knopfler, Regina Spektor, and Imogen Heap.

A Map of the Floating City Game (2011)

Dolby introduced a multiplayer online game sharing the album’s title. Players explored a dystopian 1940s setting, unraveling mysteries and trading relics. The game offered song downloads from the album, creating a unique interactive experience.

 

Session and Production Work

In the early stages of his career, Thomas Dolby made notable contributions to various artists and projects:

  1. Bruce Woolley and the Camera Club: Dolby played keyboards and received credit on their debut album. Notably, the instrumental track “WW9” on the album “English Garden” showcased one of Dolby’s early compositions.

  2. Lene Lovich: He wrote the hit single “New Toy” for Lovich and served as the keyboardist in her backing band during her tour.

  3. Thompson Twins: Dolby played synthesizer parts on their album “Set” and co-wrote “Magic’s Wand” with Whodini.

  4. Robyn Hitchcock: He played keyboards on the track “Love” from Hitchcock’s first solo album, “Black Snake Diamond Role” (1981).

  5. Girls at Our Best!: Dolby contributed synthesizer to two tracks on their album “Pleasure.”

  6. The Fallout Club: Dolby formed a brief band called the Fallout Club during this period.

  7. Foreigner’s “4” (1981): Dolby played a pivotal role by contributing the signature synthesizer sound on the track “Urgent” and the atmospheric synthesizer intro to the mega-hit “Waiting for a Girl Like You.” The earnings from this work, including tour income, financed the recording of his influential solo album “The Golden Age of Wireless,” marking the beginning of his solo career.

  8. Dave Stewart and Barbara Gaskin’s “It’s My Party” (1981): Dolby made a cameo appearance in the music video, portraying the character Johnny in the song’s storyline.

  9. Def Leppard’s “Pyromania” (1983): Dolby worked as a session keyboard player for the album, using the alias Booker T. Boffin due to contractual constraints.

  10. David Bowie’s Band at Live Aid (1985): He was a member of Bowie’s band during their performance at Live Aid.

  11. Joni Mitchell’s “Dog Eat Dog” (1985): Dolby provided production for Mitchell’s album, although creative clashes arose due to differing working styles.

  12. Prefab Sprout: Dolby produced two albums for the English sophisti-pop band: “Steve McQueen” (1985) and “Jordan: The Comeback” (1990). Moreover, he produced four tracks, including the hit single “The King of Rock ‘n’ Roll,” from their 1988 album “From Langley Park to Memphis.”

Headspace and Beatnik

In 1993, Thomas Dolby created Headspace to make interactive audio tools. They worked on video game soundtracks and partnered with WebTV, making music for their devices.

In 1996, Headspace developed Rich Music Format (RMF), a web-optimized file format after acquiring Igor’s Software Laboratories. RMF combined small size and high-quality sounds, and the Beatnik Player plug-in let RMF files play in web browsers. Beatnik later focused on software synthesizers for phones, licensed to companies like Nokia, but closed in 2011 due to changing ringtone trends.

In 2002, Dolby left Beatnik, starting Retro Ringtones LLC. They offered RetroFolio, a ringtone management suite with various tones, including animal sounds and polyphonic versions of popular themes.

RetroFolio won awards at the Mobile Music Awards in 2004, but Retro Ringtones shut down in 2005. Dolby continued speaking at tech conferences, sharing insights in interactive audio and mobile tech.

Other Pursuits

1985 Grammy Awards: In 1985, Thomas Dolby shared the Grammy Awards stage with music icons Stevie Wonder, Herbie Hancock, and Howard Jones. All four were celebrated for their mastery of keyboards and synthesizers.

Virtual Reality

Dolby’s venture into virtual reality began in 1992 when he created a sonic VR experience for the Guggenheim Museum in New York. This led to “The Virtual String Quartet,” an immersive musical encounter. He later introduced VR technology to students at The Peabody Institute of Johns Hopkins University.

In 2018, he performed live in virtual reality at events like “Escape from Zombie Island” and the Futvrelands Festival, where he played and interacted with virtual audiences.

TED Conference

From 2001 to 2012, Dolby served as the musical director of the annual TED Conference, adding musical flair to sessions and collaborating with guest artists. He premiered his original song, “Love Is a Loaded Pistol,” at TEDGlobal 2010. Dolby stepped down from this role in 2012 to focus on his music.

He also delivered a talk at the 2012 DESIGN West conference in San Jose, California.

Academic Career

In 2014, Dolby became Homewood Professor of the Arts at Johns Hopkins University. In 2017, he initiated a four-year undergraduate program, “Music for New Media,” at the Peabody Institute. The program welcomed its first students in 2018

Personal Life

Thomas Dolby tied the knot with actress Kathleen Beller in 1988, and they are parents to three children.

Besides, his brother is Stephen Robertson, a notable information retrieval researcher.

Awards and Nominations

In July 1998, Thomas Dolby received the “Lifetime Achievement in Internet Music” award from Yahoo! Internet Life.

In 2012, he was honored at Moogfest with The Moog Innovation Award, recognizing visionary artists for groundbreaking work that reflects the legacy of Bob Moog.

In February 2018, Dolby proudly received the Roland Lifetime Achievement Award.

Throughout his impressive career, Dolby earned four Grammy nominations – two in 1984 and two in 1988 – showcasing his lasting impact on the music industry.

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